Four Days to Freedom

Title: Four Days to Freedom

Genre: Social Drama / Workplace Comedy / Political Underdog Story

Logline:
When stubborn but big-hearted city employee Tony Demelo takes on his profit-obsessed bosses to win a four-day work week for municipal workers, he sparks a citywide movement that pits him against corporate lobbyists, political power brokers, and even his own friends—until his fight becomes a battle for the soul of the working class.


ACT ONE – THE SPARK
Tony Demelo, 48, a long-serving maintenance supervisor in Metroville’s Public Works Department, is beloved by his crew for always fighting for their rights. He’s a lunch-pail philosopher—equal parts charm, street smarts, and bulldog determination.

When budget cuts threaten overtime pay, morale in the department plummets. Tony notices that his co-workers are exhausted, their family lives strained. One afternoon, after seeing his crew too tired to attend their kids’ school events, Tony hatches an idea: a 4-day work week for all city employees.

He calculates (in an unpolished but passionate pitch) that by reducing hours, they’d need to hire more people—creating 20% more jobs, slashing unemployment, and boosting wages due to increased demand for skilled labor. He calls it “Four Days to Freedom.”

The idea gets laughs from his boss, Frank Costigan, a jaded bureaucrat who calls it “socialist daydreaming.” But Tony’s stubborn streak ignites—he’s going to prove Frank wrong.


ACT TWO – THE MOVEMENT
Tony begins collecting signatures from city workers, but his campaign quickly grows beyond the maintenance yard—teachers, nurses, bus drivers, and sanitation workers start rallying behind him. The media catches wind, painting him as a working-class folk hero.

Tony faces fierce resistance from:

  • Frank Costigan, who’s under pressure from the Mayor to shut Tony down.
  • Corporate lobbyists, who fear the 4-day week will set a national precedent and cut into profits.
  • Even some skeptical workers, afraid of losing overtime or job security.

Tony’s personal life gets tangled—his wife, Maria, is supportive but worries the fight will cost them their house if he loses his job. His best friend and coworker, Louie, warns him, “Tony, you can’t fight City Hall… they’ve got better lawyers.”

But Tony has a weapon: his ability to connect with regular people. He organizes public “Long Weekend Rallies” in the city square every Friday—symbolizing the extra day off. Attendance explodes.


ACT THREE – THE SHOWDOWN
The Mayor calls for a televised city council hearing, hoping to publicly humiliate Tony. Frank is ordered to be the star witness against him.

In a fiery, unscripted speech, Tony demolishes the economic scare tactics. He paints a vision of a happier, healthier city, with more parents at home for their kids, less burnout, and a fairer job market. He ends with:

“A city’s not made of buildings. It’s made of people. And people need time to live, not just survive.”

The speech goes viral, sparking national attention. Under immense public pressure, the council votes YES—a trial run for the 4-day work week.


EPILOGUE – THE NEW NORMAL
Months later, Tony walks through the park on a Friday afternoon, watching families enjoy the extra day off. He runs into Louie, who’s working as a supervisor for the new hires created by the policy. Wages are up, unemployment is down, and morale is sky-high.

Frank, now retired, admits to Tony over a coffee: “You were right, kid. Don’t tell anyone I said that.”

Tony grins: “Four days to freedom, Frank. And now we’ve got three days to barbecue.”

Fade out on Tony joining his family for a long weekend picnic.


Tone & Style:
Think Norma Rae meets Mr. Smith Goes to Washington, but with touches of Parks and Recreation humor. Blue-collar warmth meets political urgency, grounded in economic arguments that real audiences can latch onto.

Themes:

  • The dignity of labor
  • The fight against systemic inertia
  • Family time as a right, not a luxury
  • The power of one person’s conviction to start a movement

SPEECH 1 – Opening Statement

(Tony stands at the podium, sleeves rolled up, voice steady but charged with energy)

“Madam Chair, members of the council… My name’s Tony Demelo. I’ve been fixing this city’s streets, sewers, and sidewalks for over twenty years. I’ve patched potholes in hundred-degree heat, cleared snow at three in the morning, and I’ve done it with the best crew a guy could ask for. But I’m here today to say: we’re running on empty. Not just my crew—all of us. The bus drivers, the nurses, the teachers… We’re tired. And a tired worker ain’t a safe worker, or a happy one.

I’m proposing something simple. Four days on, three days off. A 4-day work week for all city workers. You think it’s a radical idea? I think it’s common sense. Because if we cut hours, we gotta hire more people—20 percent more jobs, right here in Metroville. That means full employment. That means fewer folks on unemployment benefits and more folks paying taxes. And when demand for labor goes up? Wages follow. That’s not socialism, that’s math.”


SPEECH 2 – Destroying the Fear Tactics

(Responding to Frank Costigan’s claim that the policy will “bankrupt” the city)

“Bankrupt the city? Let me tell you what’s bankrupting us: burnout, sick days, workers’ comp claims, low morale. You think endless overtime is free? It’s killing our people and draining the budget.

If you shorten the week, you cut stress. That means fewer accidents, fewer medical bills, less turnover. And guess what? Happier workers get more done in less time. There’s studies on this—companies in Europe tried it, productivity went up. People aren’t machines. We don’t just run forever. We need time to recharge so we can come back and give our best. This ain’t just good for workers—it’s good business.”


SPEECH 3 – The Vision for the City

(Tony leans forward, speaking directly to the council, but also to the TV cameras)

“Picture this city a year from now. On Fridays, parents are taking their kids fishing. Folks are fixing up their homes, volunteering, learning new skills. Local restaurants are packed all weekend because people got the time to actually enjoy themselves. And every one of those smiling faces? They’re also employees who are sharper, healthier, and more loyal to this city.

We don’t just build roads and run buses—we build lives. Let’s give people the time to live them. We can be the first city in the nation to prove that a shorter week makes a stronger economy. We can be the spark that lights a fire across the country. All it takes is the courage to vote yes.”


SPEECH 4 – The Closer

(Tony’s final words before the vote, voice cracking slightly with emotion)

“You can pass this, or you can send me home empty-handed. But when I walk out of here, I gotta look my crew in the eye. I gotta tell the single mom who hasn’t had a Saturday with her kids in months that I tried my best.

But I’m telling you—deep down, you know I’m right. A city’s not its budget, or its contracts, or its buildings. A city is people. And people need more than just a paycheck—they need time. Time with family. Time to rest. Time to be human.

Give them that gift. Give them the four-day week. Let’s make VANCOUVER the city that said: ‘We work to live, not live to work.’”

Tony: The Movie

Title: Tony DeMelo: The Fixer

Genre: Comedy / Drama
Tagline: “In a city full of problems, he’s the guy who patches them up—mostly.”


Opening Scene

(City Streets – Early Morning)
The camera follows Tony DeMelo, a gruff but good-natured city worker in his late 40s, as he strolls into the bustling city public works depot. He’s wearing a hard hat, a reflective vest, and a scowl that somehow manages to look endearing.

He stops by the coffee machine, where his co-worker, Sal, is struggling with a jammed cup dispenser.

SAL: “This thing’s been broken for months. City budget cuts, am I right?”
TONY: “Step aside, rookie.”

Tony smacks the machine just right, and it spits out a cup.

TONY: “There. Fixed it. Now, let’s go break something else.”

Tony’s boss, Angela, a no-nonsense operations manager, bursts in with a clipboard.

ANGELA: “DeMelo, we’ve got three potholes, a busted water main, and a graffiti problem. Think you can handle it?”
TONY: “Handle it? I’m Tony DeMelo. I fix things.”


Act 1: Introducing Tony and the Team

Tony is a seasoned city worker who knows every crack, pipe, and shortcut in the city. His crew includes:

  • Sal, an overeager rookie desperate to prove himself.
  • Maria, a tough-as-nails backhoe operator who keeps Tony in line.
  • Eddie, a conspiracy theorist electrician who thinks the city is plotting against them.

Tony takes Sal under his wing, showing him the ropes while grumbling about the “good old days” when things weren’t so bureaucratic.

TONY: “Back then, you didn’t need five forms to fix a lightbulb. You just climbed the pole and did it!”


Act 2: The Problem Nobody Wants to Fix

Angela assigns Tony’s crew the city’s worst project: an old, abandoned subway tunnel that’s been flooding for years.

ANGELA: “No one’s touched it in decades. It’s a mess, it’s dangerous, and it’s over budget. But the mayor wants it done yesterday.”

Tony reluctantly accepts, knowing it’s a political move to make him quit. The team heads into the tunnel, only to discover a labyrinth of broken pipes, rusted beams, and suspiciously large rats.

SAL: “Are those… mutant rats?”
TONY: “Nah. Just regular city rats. They’re tougher than mutant ones.”


Act 3: The Stakes Get Higher

As they dig deeper, the team discovers that the flooding isn’t from old pipes—it’s from a hidden river rerouted decades ago by corrupt officials. Fixing it would expose decades of mismanagement.

Tony confronts Angela, who warns him to back off.

ANGELA: “Just patch it up and move on, DeMelo. You’re not a hero.”
TONY: “No, but I’m a city worker. And this city deserves better.”

Meanwhile, Tony’s team bonds over late nights and shared frustrations. Sal gains confidence, Maria opens up about her dreams, and Eddie connects the flooding to one of his wild conspiracies—which turns out to be partially true.


Act 4: The Big Fix

Tony devises a plan to reroute the river back to its original path, but it requires shutting down half the city’s power grid and working around the clock. Angela tries to stop him, but the mayor intervenes after a local news story highlights Tony’s dedication.

The climax is a chaotic but inspiring sequence of teamwork:

  • Maria operates heavy machinery like a maestro.
  • Eddie improvises electrical fixes under pressure.
  • Sal saves the day when a support beam collapses, finally earning Tony’s respect.

As the water flows into the new channel, the city avoids a major disaster.


Act 5: Recognition

The tunnel project becomes a symbol of civic pride, and Tony’s crew is hailed as local heroes. At a press conference, the mayor awards them certificates of commendation, but Tony brushes it off.

MAYOR: “Anything you’d like to say to the city, Mr. DeMelo?”
TONY:
“Yeah. Fix your coffee machines. And maybe give us a raise.”

The crowd laughs and cheers.


Epilogue

(City Depot – Morning)
Life goes back to normal. Tony and his crew prepare for another day, this time fixing a massive pothole that’s gone viral online.

SAL: “Think we’ll ever get an easy job?”
TONY: “Easy? In this city? Kid, we’re lucky if we get coffee.”

The camera pans out as they load up their truck, ready to tackle the city’s next big mess.


Closing Credits

The credits roll over a montage of real-life city workers repairing roads, cleaning graffiti, and operating heavy machinery, set to a working-class anthem like Bruce Springsteen’s “Working on the Highway.”